An Innovative Design Study of Rosewood Silver-Inlaid Art
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Abstract
Rosewood silver-inlaid lacquerware first emerged during the Daoguang period (1821-1850) of the Qing Dynasty and has preserved traditional lacquering techniques with conventional decorative patterns. The rosewood silver-inlaid lacquerware studied in this paper is relatively widespread in the Weifang region. Despite its historical production, recognition remains largely confined to Weifang municipality, with limited dissemination beyond Shandong Province
This study employs the "literature research method" and "field investigation method" to explore the production techniques of rosewood silver-inlaid lacquerware. Through related research, key procedural steps and methods requiring attention during the crafting process were identified. During the investigation, improvements and innovations were made to certain aspects of the silver-inlaid patterns and production techniques, which were then applied in the creation of a series of rosewood silver-inlaid lacquerware artworks.
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This article is published under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0), which allows others to share the article with proper attribution to the authors and prohibits commercial use or modification. For any other reuse or republication, permission from the journal and the authors is required.References
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