An Innovative Design Study of Rosewood Silver-Inlaid Art

Authors

  • Liping Hu Faculty of Fine and Applied Arts, Burapha University
  • Pitiwat Somthai Faculty of Fine and Applied Arts, Burapha University
  • Suparirk Kanitwaranun Faculty of Fine and Applied Arts, Burapha University

Keywords:

Lacquer Art, Rosewood Silver-Inlaid Lacquerware, Decoration, Innovation

Abstract

Rosewood silver-inlaid lacquerware first emerged during the Daoguang period (1821-1850) of the Qing Dynasty and has preserved traditional lacquering techniques with conventional decorative patterns. The rosewood silver-inlaid lacquerware studied in this paper is relatively widespread in the Weifang region. Despite its historical production, recognition remains largely confined to Weifang municipality, with limited dissemination beyond Shandong Province

This study employs the "literature research method" and "field investigation method" to explore the production techniques of rosewood silver-inlaid lacquerware. Through related research, key procedural steps and methods requiring attention during the crafting process were identified. During the investigation, improvements and innovations were made to certain aspects of the silver-inlaid patterns and production techniques, which were then applied in the creation of a series of rosewood silver-inlaid lacquerware artworks.

References

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Published

30-06-2025

How to Cite

Hu, L. ., Somthai, P. ., & Kanitwaranun , S. . (2025). An Innovative Design Study of Rosewood Silver-Inlaid Art. VOICES AND VISIONS: Journal of Humanities and Social Sciences, 8(1), 98–112. retrieved from https://so14.tci-thaijo.org/index.php/VandVJournal/article/view/2407

Issue

Section

Research Articles